How does holden treat nuns

He feels like praying, but his distaste for organized religion prevents him from following through on his inclination. Suddenly, there is a knock at his door. In his pajamas, Holden opens the door to face the burly elevator operator, Maurice, who has returned with Sunny to collect the extra five dollars Sunny demanded. Holden tries to refuse, but Maurice pins him against a wall while Sunny takes the money from his wallet. Maurice slugs Holden in the stomach and leaves him crumpled on the floor.

Finally, he manages to get into bed and go to sleep. The next morning, Holden calls Sally Hayes and makes a date with her for later that afternoon. He checks out of the hotel and leaves his bags in a locker at Grand Central Station. He worries about losing his money and mentions that his father frequently gets angry when Holden loses things. Holden goes to eat breakfast at a little sandwich bar, where he meets two nuns who are moving to Manhattan to teach in a school. Holden thinks about the superficial money-driven world of the prep school he has just left.

Then he talks to one of the nuns about Romeo and Juliet. Despite his earlier expression of distaste for organized religion, he forces them to take ten dollars as a charitable contribution. After they leave, although he realizes he needs money to pay for his date with Sally, he begins to regret having given only ten dollars. He concludes that money always makes people depressed. During his previous expeditions around town, Holden maintained a distance from the people he was with, dismissing them with scorn.

The nuns thank Holden profusely for his ten dollar donation, so much so that he has to change the subject. The nuns reveal that they're from Chicago and in New York to teach at a school uptown. One of them teaches English and the other American Government.

The English-teaching nun asks Holden about what he's read in school, and they strike up a conversation about Romeo and Juliet. This disturbs Holden, as he has a hard time with the fact that a nun likes such a sexy play. But he does express his frustration at the fact that Mercutio died when nothing was his fault. The nuns refuse to let Holden pay for their bill when he offers. Morrow Rudolf Schmidt Mrs. Spencer Marty Laverne Mr. Antolini, a.

Lillian Richard Kinsella Mr. What's Up With the Ending? Tired of ads? Join today and never see them again. Get started. Throughout his tirade, Sally asks Holden to stop yelling, and he claims not to have been yelling, indicating that he is unaware of his own extreme agitation. His attempt to convince a shallow socialite like Sally to run away with him to a cabin in the wilderness also shows his increasing distance from reality—or, at least, his inability to deal with the reality in which he finds himself.

His mood swings with Sally serve a similar purpose. When he first sees her, he is convinced he is in love with her. Except for Jane and Phoebe, no one in his world seems to care how he feels, so long as he observes social norms.

Despite the fact that Sally is obviously not a good match for him, Holden claims that at the moment he proposed that they run away together, he did truly love her. His feelings are irrational, but they indicate how desperate he is to find love. This desperate need for love is counterbalanced by his inability to deal with the complexities of the real world.

Like his encounter with the nuns in Chapter 15, his date with Sally demonstrates how ill-equipped he is to deal with actual people. Sally does not seem to be a very complex character, but Holden cannot connect with her at all. His wild proposals are not the kind of thing Sally is interested in, and he displays callousness when he insults her.

As Holden proposes impossible schemes only to lash out when their ridiculousness is made apparent, his oversimplified, idealized fantasy world begins to seem less endearing and more dangerous. After the fiasco with Sally, Holden retreats into nostalgic desires to return to childhood. In recalling his visits to the Museum of Natural History, Holden indicates that he wants life to be like the tableaux he loves: frozen, unchanging, simple, and readily comprehensible.

He says that he wishes that everything in life could be placed inside glass cages and preserved, like in the museum.